This font was designed to be highly legible even at small sizes, making it very versatile for different uses. Montserrat is characterized by rounded shapes, well-defined edges, a large x-height, and its quite distinctive ‘Q' character, which has a tail that dips below the baseline. Inspired by the old posters and signs in the traditional Montserrat neighborhood of Buenos Aires, she sought to rescue the beauty of urban typography that emerged in the first half of the twentieth century. It is a geometric sans-serif typeface designed by Julieta Ulanovsky. Montserrat is simply super clean, minimalist and beautiful. When looking for an alternative to the over-used Helvetica, Proxima Nova might be a great choice. As a designer, I often go with “the feel” and Proxima Nova gives me a bit of a goosebumps only upon hearing the name. Proxima Nova also has a larger x-height, which can improve readability at small sizes. It has rounder, fuller characters, with some letters, like ‘a' and ‘g', having a single-storey design rather than the double-storey found in Helvetica. It has a geometric feel but also incorporates some features from humanist and grotesque typefaces, leading to a balance between mechanical geometry and organic letterforms.Ĭompared to Helvetica, Proxima Nova is a bit more geometric. Just like Helvetica, is known for its clarity and simplicity, making it highly versatile for a wide range of applications. And it's actually a reworking and extension of an earlier typeface, Proxima Sans, which was released in 1994. This is one of my favorites – Proxima Nova: a sans-serif typeface, designed by Mark Simonson in 2005. So eventually it’s up to you, but I think that Inter is one great Helvetica alternative. On the other hand, Helvetica maintains a classic, timeless quality due to its balanced and neutral design. In terms of aesthetics, Inter might appear slightly more modern due to its open forms and space-efficient design. Meanwhile, Helvetica, created in a pre-digital era, is more uniform and neutral, balancing its stroke widths and character shapes for a wide range of uses, from print to digital. Inter was explicitly designed for computer screens and to be legible at small sizes, with features like larger apertures and higher x-height. When compared to Helvetica, both are sans-serif and known for their versatility, but their design philosophies differ. Also noteworthy are its open counters and generous letter-spacing, which boost readability at small sizes. It has a tall x-height and relatively short ascenders and descenders, optimizing space efficiency in digital interfaces. One of Inter's key features is its adaptability. It is relatively young, released in 2019, but it has already gained popularity. Inter is a versatile sans-serif typeface designed by Rasmus Andersson for digital environments. So even though Neue Haas Grotesk is an old typeface, it still remains one of the best options when trying to find Helvetica’s “copy”, as they are originally one and the same font. So, Neue Haas Grotesk and Helvetica, in their original forms, are virtually identical. When the typeface was licensed for international distribution by the German company Stempel, the name was changed to Helvetica (derived from “Helvetia,” the Latin name for Switzerland) in order to make it more universally marketable. The aim was to create a neutral typeface with great clarity, devoid of any individualistic characteristics. The typeface was designed in 1957 by Max Miedinger and Eduard Hoffmann in Switzerland. So Neue Haas Grotesk is the original name of what we now commonly know as Helvetica. Have you ever wondered why there is something called “Helvetica Neue”? Now you’ll see: The first typeface I wanna show you is called “Neue Haas Grotesk”.Īnd you might not know it, but Neue Haas Grotesk and Helvetica are actually intimately related, as they are essentially the same typeface, only with minor differences and under different names due to various historical and marketing reasons. Shall we? TOP 20 fonts similar to Helvetica And that’s why I came up with this article, where we’ll go over 20 Helvetica alternatives, which you can use online, in print, or anywhere else. But yes, it is kind of overused, I think we can agree on this one. It has definitely gained its name in the history of typography. Some people love it, others hate it, and who is the loudest when it comes to this sans-serif masterpiece? Designers.Īs for me, I think Helvetica is marvelous font.
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